give I, Valentijn M. de Wolf, about e.g. Performing classical music.
Give then through nice 'facts' and after asking, insight in a sociëty in with music changed!
Battle! Mozart against Ten Holt, ect.
Readings concerning content. Simularities and differences e.g. between Mozart and Ten Holt. Why does a special composer write in c minor? Did in the Barok people make ornaments in German music? And in de French? Through Valentijn M. de Wolf . Classical music .Tell about differences and similarities of stile marks in the past and present, e.g. in the:
'Battle! Mozart against Ten Holt'
-Question; composed the (meanwhile gone) Simeon ten Holt from Bergen where I live (Netherlands), really such confronting music or does he possess also something tenderness ('empfindliches') like Wolfgang Amadeus Mozart? I let see that in a lot of Schuberts pieces still twisting and harsh accords exists, like Ten Holt used.
Speak as following about music theory and what people do with it in the performing (interpretation).
-Question e.g.; why does Paganini write often in c minor ('lament of the unhappy lover' Schubart says beginning 1800) and in C major? (scale of exaggerated naivety)
-Answer; Paganini was a extreem well violinist. Wrote therefore extreme in feelings;
against
play.
Tell about how musicians perform music; with help of Quandz's book 'On playing the flute' e.g.. Quandz lived in the Baroque (17e/ 18e century, composer and player of the baroque flute; German flute without flute keys.) Says e.g. in 'On playing the flute' that a 'grace note' (a note before the most important note; the head note) when he is dissonant, has to be played longer. Ugliness is emphasised! (A grace note is an ornament.)
f(hard) p(soft)
Futher;
-I explain what the music ment in prosperity (social economic aspect) and
-Witch feelings in music will be express and why (psychological side).
